Microphone choice and placement can make a dramatic difference in the quality of recorded sound, especially when you're recording music. The great thing about the XLR-K2M XLR Adaptor is that it allows you to connect an extremely wide range of high-performance microphones, and it even has switchable +48V phantom power for studio grade condenser microphones. Input level controls on both channels make it easy to match microphone output to the high-quality preamplifiers provided, for optimum performance with a wide variety of sources. This type of capability and quality are a huge advantage when shooting videos of live music.
In addition to outstanding audio quality, the microphone preamps built into the XLR-K2M offer a comprehensive range of essential preamp controls including switchable mic/line input modes, switchable 0/10/20 dB input pads, switchable phantom power, auto or manual input level control, and switchable low-cut filters.
Interchangeable Lens Digital Camera E-mount |
α7R (ILCE-7R) | ✓ |
---|---|---|
α7R II (ILCE-7RM2) | ✓ | |
α7 (ILCE-7) | ✓ | |
α7 II (ILCE-7M2) | ✓ | |
α7S (ILCE-7S) | ✓*1 | |
α6000 (ILCE-6000) | – | |
α3500J (ILCE-3500J) | – | |
α3000 (ILCE-3000) | – | |
Interchangeable Lens Digital Camera A-mount |
α99 (SLT-A99) | ✓ |
α77 II (ILCA-77M2) | – | |
α58 (SLT-A58) | – | |
Digital Video Camera Recorder Handycam® |
FDR-AX100/100E | ✓ |
FDR-AX30/33 | ✓ | |
FDR-AXP33/35 | ✓ | |
HDR-CX900/900E | ✓ | |
HDR-CX530/535/610/620/670 | – | |
HDR-PJ530/540/610/620/670/ 800/810/820/820E |
– | |
NEX-VG30/30E/30H/30EH | ✓ | |
NEX-VG900/900E | ✓ | |
Digital Still Camera Cyber-shot |
DSC-RX1R | – |
DSC-RX1 | – | |
DSC-RX10 | ✓ | |
DSC-RX10 II | ✓ | |
DSC-RX100 II | – | |
DSC-HX400/400V | – | |
DSC-HX60/60V | – |
http://www.sony.net/Products/diacc/compatibilities/microphone