SONY

DEN Gai Photo Exhibition Duration of Indifference

It is not something to be sought, but something that arrives unexpectedly in a fleeting moment.

When my gaze begins to wander, the world starts to speak.

I do not capture the image; the image chooses me.

In the bustling noise of the city, it does not touch me directly.
Rather, the camera gently grazes the surface, tracing and reflecting the essence of the world.

Everything flows naturally—from the other side to this one—and settles within me.

For the Exhibition – Insignificant Cloud Dynamics

Vast, unbounded landscapes. Fragments of cities overflowing with symbols of consumption. Desert-like spaces where objects—devoid of function—are scattered in silence. These objects remain isolated, stripped of context, seemingly adrift. At first glance, the images exude a quiet beauty, yet beneath the surface lies a deep void.

This series does not seek to document reality but to reveal its absence. The images themselves are unstable, always shifting, never fixed in meaning. They resist definition. Photography, often expected to capture reality, instead functions here as a medium that exposes its invisibility. A delicate interplay of light and shadow, compositions that feel vivid yet incomplete, and a visual paradox that dissolves the moment meaning is sought—these elements form the heart of this work.

Light filters into the vacant interiors of abandoned buildings, faintly suggesting traces of human presence. Yet beyond this, no further context is given. This ambiguity embodies the complex relationship between mourning and emptiness in contemporary society. The images offer neither information nor truth—only their absence and uncertainty. Meaning does not arrive at once; it lingers, delayed, and never fully materializes.

In a world oversaturated with information yet devoid of meaning, how do images endure? This work explores that tension, seeking a language of silence—one that unearths the excess of meaning and its erosion. Within a landscape where reality has already faded, and mechanical structures dictate our lives, this silent force emerges as a quiet yet undeniable presence.

DEN Gai

DEN Gai Profile

Born in 1984 in China.

Lecturer at Kuwasawa Design School and Nippon Photography Institute.
Special Lecturer at the Interior Design Course, Department of Industrial, Interior, and Craft Design, Musashino Art University.

After working as a mechanical engineer, he transitioned to a career as a photographer.
Alongside his creative practice, he is active as an interpreter and translator in the fields of photography and design and contributes to exhibition coordination.

Selected Exhibitions

2015
Colony Island, Wandering Photography Space, Taipei, Taiwan
2016
Back in the Wilderness, Jimei x Arles International Photo Festival, Xiamen, China
2019
Live and Be There, Guardian Garden, Tokyo, Japan
2020
Dwelling Unit, Totem Pole Photo Gallery, Tokyo, Japan
2020
Poster Design Project: Quarantine Project, Power Station of Art, Shanghai, China
2021
Moderately Good Scenery, Gallery 176, Osaka, Japan
2022
Moderately Good Scenery, YART Gallery, Seoul, Korea
2023
Letter to and from the Past, Totem Pole Photo Gallery, Tokyo, Japan